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Compositions
- Round and Around (1975)
- Duration: 13'
- Instrumentation: 9 horns and 2 percussion.
- Premiere: Arthur Morley's Horn Circus/Jonty Harrison; Grimsby,
1975.
- Rosaces 1 (1976)
- Duration: 21'
- Instrumentation: violin and large ensemble.
- Premiere: Anemone/Jonty Harrison; York Festival, 1976.
- Canto (Amoroso) (1976)
- Duration: 6'
- Instrumentation: voice and ensemble.
- Premiere: Anemone/Jonty Harrison; York Festival, 1976.
- Q (1976)
- Duration: 12'
- Instrumentation: soprano saxophone, string trio and electric
organ.
- Premiere: Meridian Ensemble/Jonty Harrison; Bourne, Lincolnshire,
1978.
- Rosaces 2 (1977)
- Duration: 9'
- Instrumentation: solo piano.
- Commissioned by Regional Contemporary Music Circuit/Yorkshire
and Humberside Arts.
- Premiere: Richard Markham; Leeds, 1978.
- Lunga (1977)
- Duration: 16'
- Instrumentation: 6 oboes and 3 bassoons.
- Commissioned by Double Reed Ensemble.
- Premiere: Double Reed Ensemble/Dominic Muldowney; St John's,
Smith Square, London, 1977.
- Pair/Impair (1978)
- Duration: 12'
- Instrumentation: tape.
- Articles
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- Premiere: University of East Anglia, 1978.
- Mention, Bourges International Electroacoustic Awards 1979.
- Aurora (1978)
- Duration: 24'
- Instrumentation: orchestra.
- Four Three (1978)
- Duration: 18'
- Instrumentation: flute, viola and harp.
- Commissioned by Worfield Charity Concert Trust/West Midlands
Arts.
- Premiere: Erard Trio; Worfield, Shropshire, 1978.
- SQ (1979)
- Duration: 17'
- Instrumentation: saxophone quartet - music theatre.
- Commissioned by Myrha Saxophone Quartet/Arts Council of Great
Britain.
- Premiere: Myrha Saxophone Quartet; St John's, Smith Square,
London, 1979.
- A Vent (1979)
- Duration: 20'
- Instrumentation: oboe and tape.
- Commissioned by Robin Canter/Arts Council of Great Britain.
- Premiere: Robin Canter; St John's, Smith Square, 1979.
- Mention, Bourges International Electroacoustic Awards 1979.
- EQ (1980)
- Duration: 15'
- Instrumentation: soprano saxophone and tape - music theatre.
- Commisioned by John Harle/Arts Council of Great Britain.
- Premiere: John Harle; St John's, Smith Square, London, 1981
- First Prize, Bourges International Electroacoustic Awards 1981.
- Rosaces 3 (1980)
- Duration: 16'
- Instrumentation: large ensemble.
- Commissioned by Tactus.
- Premiere: Tactus/Henry Brown; Lyons Concert Hall, York, 1980.
- Monodies (1981)
- Duration: 20'
- Instrumentation: bass clarinet and live electronics.
- Commissioned by West Square Electronic Music Ensemble/Arts Council
of Great Britain.
- Premiere: Harry Sparnaay/West Square Electronic Music Ensemble;
St John's, Smith Square, London, 1981.
- Rosaces 4 (1982)
- Duration: 14'
- Instrumentation: 4 amplified voices and tape.
- Commissioned by Elms Concerts and Singcircle/Arts Council of
Great Britain.
- Premiere: Singcircle/Gregory Rose; Huddersfield International
Festival, 1982.
- (SQ)WHEEZE (1982)
- Duration: 10'
- Instrumentation: accordion and tape - music theatre.
- Commissioned by Nottingham University/Radcliffe Trust.
- Premiere: John Chilton; University of Nottingham, 1982.
- Klang (1982)
- Duration: 9'
- Instrumentation: tape.
- Commissioned by Magyar Radio/MAFILM.
- Premiere: the University of Birmingham, 1982.
- Second Prize, Bourges International Electroacoustic Awards 1983;
Euphonie d'or, Bourges 1992.
- Sons transmutants/sans transmutant (1983)
- Duration: 11'
- Instrumentation: brass quintet.
- Commissioned by Musicon/Northern Arts.
- Premiere: Fine Arts Brass Ensemble; Durham, 1983.
- Duel (1983)
- Duration: 15'
- Instrumentation: ensemble and tape - music theatre.
- Commissioned by Gemini/Arts Council of Great Britain.
- Premiere: Gemini/Peter Wiegold; St John's, Smith Square, London,
1983.
- Luftflut (1984)
- Duration: 12'
- Instrumentation: flute and tape.
- Commissioned by Simon Desorgher/Arts Council of Great Britain.
- Premiere: Simon Desorgher; Institute of Contemporary Arts, London,
1984.
- Hammer and Tongs (1984)
- Duration: 8'
- Instrumentation: string quartet.
- Premiere: Bochmann String Quartet; St Michael's Church, Cornhill,
London, 1985.
- Lloyds Bank National Composer's Award 1985.
- A Cordes (1985)
- Duration: 14'
- Instrumentation: 8 strings and tape.
- Commissioned by Ensemble InterContemporain/IRCAM.
- Premiere: Ensemble InterContemporain/Ronald Zollman; IRCAM,
Paris, 1985.
- Lament (1985, with Douglas Doherty)
- Duration: 14'
- Instrumentation: tape.
- Commissioned by BRMB Radio.
- Premiere: BRMB transmission, 1985.
- Mention, Bourges International Electroacoustic Awards 1986.
- Paroles hérétiques (1986)
- Duration: 18'
- Instrumentation: soprano and piano.
- Commissioned by Susan Lawrence/Greater London Arts.
- Premiere: Susan Lawrence/Nicholas Kok; Purcell Room, London,
1986.
- Tremulous Couplings (1986)
- Duration: 7'
- Instrumentation: 'cello and piano.
- Commissioned by Duo Parker-Brown.
- Premiere: Duo Parker-Brown; Lyons Concert Hall, York, 1986.
- Farben (1987)
- Duration: 20'
- Instrumentation: amplified ensemble and live electronics.
- Commissioned by Festival of English Music/Finzi Trust and an
anonymous donor.
- Premiere: Nash Ensemble/ Lionel Friend; Summer Festival of English
Music, Abingdon, 1987.
- Beaten Track (1987)
- Duration: 27'
- Instrumentation: voices and tape - music theatre.
- Commissioned by Vocem/Arts Council of Great Britain.
- Premiere: Vocem; De IJsbreker, Amsterdam, 1988.
- Ripieno (1988)
- Duration: 16'
- Instrumentation: ensemble and live electronics.
- Commissioned by Metanoia/Arts Council of Great Britain.
- Premiere: Metanoia; Purcell Room, London, 1988.
- Concertino (1988)
- Duration: 4'
- Instrumentation: alto flute (or other woodwind) and optional
live electronics.
- Premiere: Jos Zwaanenburg; Rijksmuseum, Amsterdam, 1989.
- Aria (1988)
- Duration: 11'
- Instrumentation: tape.
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- Commissioned by Groupe de Musique Expérimentale de Bourges.
- Premiere: the University of Birmingham, 1988.
- Paroles plus hérétiques (1990)
- Duration: 20'
- Instrumentation: soprano and ensemble.
- Commissioned by Birmingham Contemporary Music Group.
- Premiere: Sarah Leonard/BCMG/Jonty Harrison; Adrian Boult Hall,
Birmingham, 1991.
- Concerto Caldo (1991)
- Duration: 15'
- Instrumentation: amplified string ensemble.
- Commissioned by Beverley Davison and Hot Strings.
- Premiere: Beverley Davison and Hot Strings/Jonty Harrison; Barber
Festival of Contemporary Music, The University of Birmingham,
1991.
- CQ (1990)
- Duration: 15'
- Instrumentation: saxophone, rock band and live electronics.
- Commissioned by Barocko/Arts Council of Great Britain.
- PulseRates (1991, with Andrew Lewis and Dan Rodger;
additional material by Alistair MacDonald and Robert Dow)
- Duration: 11'
- Instrumentation: tape.
- Commissioned by Birmingham City Council.
- Premiere: Centenary Square and the International Convention
Centre, Birmingham, 1991.
- In Cant (in sky) (1992)
- Duration: 11'
- Instrumentation: tenor and 2 percussion.
- Commissioned by Curtis, Konink, Andriessen/Arts Council of Great
Britain.
- Premiere: Curtis, Konink, Andriessen; Eindhoven, Holland, 1992.
- Ottone (1992)
- Duration: 19'
- Instrumentation: brass quintet and tape.
- Commissioned by Fine Arts Brass Ensemble/West Midlands Arts.
- Premiere: Fine Arts Brass Ensemble; Adrian Boult Hall, Birmingham,
1992.
- Preselected, Bourges International Electroacoustic Awards 1994.
- ...et ainsi de suite... (1992)
- Duration: 19'
- Instrumentation: tape.
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- Premiere: BBC Pebble Mill (live transmission of BEAST concert),
1992.
- Distinction, Prix Ars Electronica, Linz, Austria, 1993; First
Prize, Musica Nova, Prague 1994; preselected, Bourges International
Electroacoustic Awards 1994.
- Sorties (1995)
- Duration: 15' - part of Web installation with members of BEAST
- Commissioned by BBC/Birmingham City Council.
- Premiere: The Ice House, Birmingham, 1995.
- Prize, Programme Category, Bourges International Electroacoustic
Awards 1996.
- Hot Air (1995)
- Duration: 22'
- Instrumentation: tape.
- Articles
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- Commissioned by Groupe de Recherches Musicales, Paris.
- Premiere: Salle Olivier Messiaen, Maison de Radio-France, Paris,
1995.
- Mention, Prix Ars Electronica, Linz, Austria, 1996.
- Unsound Objects (1995)
- Duration: 13'
- Instrumentation: tape.
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- Commissioned by International Computer Music Association.
- Premiere: 1995 International Computer Music Conference, Banff,
Canada, 1995.
- Surface Tension (1997)
- Instrumentation: tape.
- Commissioned by Groupe de Musique Expérimentale de Bourges.
- Premiere: Synthèse (Bourges International Festival),
1997.
- Splintering (1997)
- Instrumentation: tape.
- Commissioned by Groupe de Recherches Musicales, Paris.
- Premiere: Salle Olivier Messiaen, Maison de Radio-France, Paris,
1997.
- Abstracts (1998)
- Instrumentation: 8-channel tape and large orchestra.
- Commissioned by the University of Birmingham Symphony Orchestra
- Premiere: Great Hall, The University of Birmingham (University
of Birmingham Symphony Orchestra, conducted by Vic Hoyland), 1998.
- Streams (1999)
- Instrumentation: 8-channel tape.
- Commissioned by the Sonorities Festival, Belfast
- Premiere: Harty Room, Queen's University, Belfast, as part of
the Sonorities Festival, 1999.
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